{"id":1535,"date":"2025-04-19T22:05:43","date_gmt":"2025-04-19T22:05:43","guid":{"rendered":"https:\/\/fotoplus.com\/idart50\/?p=1535"},"modified":"2025-04-19T22:46:23","modified_gmt":"2025-04-19T22:46:23","slug":"perfil-maria-eugenia-franco","status":"publish","type":"post","link":"https:\/\/www.fotoplus.com\/idart50\/?p=1535","title":{"rendered":"perfil: Maria Eug\u00eania Franco"},"content":{"rendered":"\n<p><br><strong>Maria Eug\u00eania Franco<\/strong> (n.1915-1999), bibliotec\u00e1ria, cr\u00edtica de arte e idealizadora do IDART, \u00e9 uma entre tantas figuras de a\u00e7\u00e3o no campo cultural das d\u00e9cadas de 1950 e 1960, cujo percurso \u00e9 hoje completamente ignorado. Apenas na \u00faltima d\u00e9cada, ensaios acad\u00eamicos deram in\u00edcio a um revis\u00e3o cr\u00edtica de seu papel e desdobramentos.<br><\/p>\n\n\n\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-ad2f72ca wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"267\" height=\"448\" src=\"http:\/\/fotoplus.com\/idart50\/wp-content\/uploads\/2025\/04\/wiki-Mario_Schenberg_e_Maria_Eugenia-20250419.jpg\" alt=\"Maria Eug\u00eania Franco e o f\u00edsico e cr\u00edtico M\u00e1rio Schenberg (n.1914-1990), d\u00e9cada de 1940, provavelmente descendo a Av. S\u00e3o Jo\u00e3o, S\u00e3o Paulo, em dire\u00e7\u00e3o \u00e0 Pra\u00e7a do Correio. Fonte: Wikipedia\" class=\"wp-image-1542\" style=\"width:405px;height:auto\"\/><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<p class=\"has-small-font-size\"><br>Maria Eug\u00eania Franco e o f\u00edsico e cr\u00edtico M\u00e1rio Schenberg (n.1914-1990), d\u00e9cada de 1940, provavelmente descendo a Av. S\u00e3o Jo\u00e3o, S\u00e3o Paulo, em dire\u00e7\u00e3o \u00e0 Pra\u00e7a do Correio. Fonte: <a href=\"https:\/\/pt.m.wikipedia.org\/wiki\/Ficheiro:Mario_Schenberg_e_Maria_Eug%C3%AAnia.jpg\" target=\"_blank\" rel=\"noreferrer noopener\">Wikipedia<\/a><br><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p><br><strong>Artigos<\/strong><br><br><br><strong>LEITE, Andrea Andira.<\/strong>&nbsp;Revisando a trajet\u00f3ria da curadora e cr\u00edtica de arte Maria Eug\u00eania Franco: estudos iniciais.&nbsp;<strong><em>Encontro de Hist\u00f3ria da Arte<\/em><\/strong>, Campinas, SP, n. 13, p. 167\u2013175, 2018.&nbsp;<a href=\"http:\/\/doi.org\/10.20396\/eha.13.2018.4336\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/doi.org\/10.20396\/eha.13.2018.4336<\/a>.<br><br><strong>TRIZOLI, Talita<\/strong>. A I Bienal de S\u00e3o e a cr\u00edtica de Maria Eug\u00eania Franco. <strong><em>Anais do 42\u00ba Col\u00f3quio do Comit\u00ea Brasileiro de Hist\u00f3ria da Arte &#8211; CBHA<\/em><\/strong> &#8211; Futuros da hist\u00f3ria da arte: 50 anos do CBHA (Rio de Janeiro, 7-12 nov.2022). Porto Alegre: CBHA, 2023. <br><a href=\"http:\/\/dx.doi.org\/10.54575\/cbha.42.034\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/dx.doi.org\/10.54575\/cbha.42.034<\/a> (ensaio)<br><a href=\"https:\/\/doi.org\/10.54575\/cbha.42\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.54575\/cbha.42<\/a> (anais, completo)<\/p>\n\n\n\n<p><br>.criado em: 2025.04.19<br>.atualizado em: 2025.04.19<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Maria Eug\u00eania Franco (n.1915-1999), bibliotec\u00e1ria, cr\u00edtica de arte e idealizadora do IDART, \u00e9 uma entre tantas figuras de a\u00e7\u00e3o no campo cultural das d\u00e9cadas de 1950 e 1960, cujo percurso \u00e9 hoje completamente ignorado. Apenas na \u00faltima d\u00e9cada, ensaios acad\u00eamicos deram in\u00edcio a um revis\u00e3o cr\u00edtica de seu papel e desdobramentos. Maria Eug\u00eania Franco e &hellip; <a href=\"https:\/\/www.fotoplus.com\/idart50\/?p=1535\" class=\"more-link\">Continue lendo<span class=\"screen-reader-text\"> &#8220;perfil: Maria Eug\u00eania Franco&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[70,4],"tags":[87,126,285,284,286],"class_list":["post-1535","post","type-post","status-publish","format-standard","hentry","category-idart","category-membros","tag-biblioteca-de-arte","tag-bienal-de-sao-paulo","tag-critica-de-arte-2","tag-maria-eugenia-franco-2","tag-mario-schenberg"],"_links":{"self":[{"href":"https:\/\/www.fotoplus.com\/idart50\/index.php?rest_route=\/wp\/v2\/posts\/1535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fotoplus.com\/idart50\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fotoplus.com\/idart50\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fotoplus.com\/idart50\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fotoplus.com\/idart50\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1535"}],"version-history":[{"count":8,"href":"https:\/\/www.fotoplus.com\/idart50\/index.php?rest_route=\/wp\/v2\/posts\/1535\/revisions"}],"predecessor-version":[{"id":1551,"href":"https:\/\/www.fotoplus.com\/idart50\/index.php?rest_route=\/wp\/v2\/posts\/1535\/revisions\/1551"}],"wp:attachment":[{"href":"https:\/\/www.fotoplus.com\/idart50\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fotoplus.com\/idart50\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1535"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fotoplus.com\/idart50\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}